Ilustradores horacio altuna how to#
Ilustradores horacio altuna series#
Ilustradores horacio altuna tv#

But in the U.S, he is seem as a simple exotic curiosity, as that 'campy show where adults dressed as kids'. Fusing humour with pathos and social commentary about the reality of Latin America, having his shows to fellow Latam countries (minus Cuba), Europe and Asia, when Chespirito died, millions of people from Latam camed to Mexico to be present at his funeral, paying the last homage to show much he meant to them! His shows, that also got expanded into comics and cartoons, made us laugh with joy and cry with emotion.

Ilustradores horacio altuna tv#

The mexican writer and comedian Roberto Gomez Bolanos, nicknamed Chespirito (spanish for Little Shakespeare) created several characters for TV shows and movies, the most famous being the orphan boy El Chavo del Ocho, the superheroe El Chapulin Colorado and the bumbling medic Doctor Chapatin. In the U.S tough? Its pretty rare that anyone ever heard of her. An icon of rebeliousness from Argentina who even has a statue in Buenos Aires, Mafalda's got extended to Latin America and Europe. Acompaning Mafalda in her questionings and games were her baby brother Guile, her pet turtle Burocracia (Burocracy), and her friends in the neighbourhod: the dreamer Felipe, the innocent Miguelito, the little futile socialite Susanita, the idealistic Libertad and the greedy materialist Manolito.

Ilustradores horacio altuna how to#

Mafalda was a very curious child who constantly asked dificult questions about the world, the society and its politics, for the despair of her parents who didn't knew how to answer her questions and didn't want to admit it. In Gringoland tough? It may be sold, but under cheap price to Francobelgian Comic Geeks, precisely because isn't as popular as the Marvel and DC Superheroes.Д¬reated by argentinian comic artist Joaquin Salvador Llavado (Quino), the Mafalda comic strips ran from 1964 to 1973, being adapted into several animated TV shorts and an animated movie.

Ilustradores horacio altuna series#

Originating in France as comic books created by Renee Gosciny and Albert Uderzo, expanding into animated and live-action movies, the success of this adventure comedy series about irredutible celtic warriors who protect their village against the Roman invasions thanks to a druid's magic potion, flavoured with lots of anacronism based humour, had its success expanded to other European Countries, Canada and Latin America. So in no particular order, here are seven pieces of media that, while phenomenons in other parts of the Globe, never got popular in the land of Uncle Sam. except, ironically in the U.S, that while exporting its culture to other parts of the world, rarely does the inverse of importing, favouring the consume of its own media. Its just expected that we, people from the outside, know mainly U.S American Pop Culture.Д«ut there have always been the rule breakers, the pieces of Pop Culture from outside the U.S that for several factors, ended up becoming a phenomenon, aclaimed by public and critics, homaged in fan works, with important influential legacies in several countries. MINUS THE lets be real: the U.S is acostumed to be the most influencial media exporter since the end of World War II. In 1986, he drew the political fiction 'Chances' in Pilote et Charlie, and received the 'Yellow Kid Award for the Best Illustrator' from the International Comics Salon in Lucca.TOP 07: PIECES OF MEDIA THAT ARE A POPULAR PHENOMENON EVERYWHERE.

He contributed to magazines like Zona 84, Comix Internacional, Cimoc and Play Boy.Already a master of black and white techniques, he devoted himself to stories in color, like 'Ficcionario', 'Tragaperas', 'Merdichensky' and 'Charlie Moon', which were published all over Europe.

In 1982, he moved to Spain, where he got assiciated with Josep Toutain's agency.

The strip was a huge success, and was adapted for TV and published in Spain and France.ДЄltuna became secretary of the Argentinean Comic Association and taught graphics at the School of Arts in Buenos Aires. In 1975, he created the series 'El Loco Chavez' with the writer Carlos Trillo in the daily Clarin. In addition, he worked for the publishers Quinterno, Abril and Atlantida, as well as the Fleetway group in London. He began a longtime collaboration with the publishing house Colomba in Buenos Aires in 1967, where he co-created characters like 'Big Norman' (with writer Robin Wood), 'Hilario Corvalan' (with Sergio Almendre), 'Los Cuzados' and 'Kabul' (with Hector German Oesterheld). Self-taught artist Horacio Altuna made his debut in Argentina in 1965.